Canon Topics



There is a canon which confines
A Rhymed Octosyllabic Curse
If written in Iambic Verse
To fifty lines.
—Hilaire Belloc (1870–1953)

We possess the canon because we are mortal and also rather belated. There is only so much time, and time must have a stop, while there is more to read than there ever was before. From the Yahwist and Homer to Freud, Kafka, and Beckett is a journey of nearly three millennia. Since that voyage goes past harbors as infinite as Dante, Chaucer, Montaigne, Shakespeare, and Tolstoy, all of whom amply compensate a lifetime’s rereadings, we are in the pragmatic dilemma of excluding something else each time we read or reread extensively.
—Harold Bloom (b. 1930)

The true use of Shakespeare or of Cervantes, of Homer or of Dante, of Chaucer or of Rabelais, is to augment one’s own growing inner self.... The mind’s dialogue with itself is not primarily a social reality. All that the Western canon can bring one is the proper use of one’s own solitude, that solitude whose final form is one’s confrontation with one’s own mortality.
—Harold Bloom (b. 1930)